‘Love’s Altar’ was painted by Walter Crane in 1870. It depicts a young man kneeling before an altar surmounted by a portrait of a young woman. The portrait is of Crane’s fiancée Mary Frances Andrews, whom he later married on 6 September 1871. Crane wrote a sonnet to accompany the work, published in ‘A Book of Verse’, 1891 (see below). It was exhibited at the Old Bond Street Gallery in 1870 described as ‘Love’s Sanctuary’. Whilst on display it attracted adverse criticism, the ‘Art Journal’ describing it an ‘an irreverent parody’ and commenting on ‘the incongruity of medieval treatment coupled with classical costume and accessories’.
Love’s Sanctuary
NO more I go to worship with the crowd
In Christian temples, pagan now to me,
No dim cathedral hears me pray aloud,
I sing no credo, as it used to be:
Though kneeling not beneath the roof of Rome,
Or in protesting fanes, I have a shrine—
A holiest of holies—Love’s sweet home,
On whose white altar lies life’s bread and wine.
There oft, in saddened times and weary hours,
To secret sanctuary do I flee,
Where one sweet presence soothes, like breath of flowers,
To whom their incense rises ceaselessly;
For there, though not a Roman devotee,
Sweet virgin Mary I do worship thee.
