‘The Entry into Paradise’ is an early proof on a sheet of paper with 8 other illustrations to ‘The Story of Cupid and Psyche’ for projected edition of ‘The Earthly Paradise’ begun in September 1865. The illustrations were engraved on wood by Morris and his friends and associates in the Firm. Burne-Jones did illustrations for some of the other tales in the Earthly Paradise, but the Cupid and Psyche wood engravings were the most completed part of the project which was abandoned in 1868 after trial pages, set in Basle and Caslon types at the Chiswick Press, did not prove satisfactory.
In 1881 a few copies of these sets of illustrations were made, apparently by Morris himself, by friction printing. A second series (numbering about 8 sets according to Cockerell) was pulled for Morris by Emery Walker at his premises at 16 Cliffords Inn during the Kelmscott Press years; all these were on Kelmscott Press paper. One of these sets, given to Cockerell by Jane Morris c.1898, is bound into the volume K775 owned by the William Morris Gallery. Other sets are in the Pierpont Morgan Library (Gift of John M. Crawford) and the Fitzwilliam Museum (J.R. Holliday Bequest 1927).
Drawings related to the Cupid and Psyche illustrations and other tales from The Earthly Paradise are in the following collections:
A volume of 87 preliminary drawings of various sizes executed in pencil, pen and ink or chalk, is now in Birmingham Museum and Art Gallery (648’27). A series of 47 finished designs in pencil on tracing paper was given by Burne-Jones to Ruskin, who presented them to Oxford University in 1875 (now in the Ashmolean). Another volume of 39 drawings formerly in the collection of F.S. Ellis is in the Pierpont Morgan Library, New York; 36 of these are on tracing paper, the remaining 3 on drawing paper; 21 relate to the Cupid and Psyche story though some are variants of scenes which were never engraved on wood; others are for the Story of Pygmalion and The Hill of Venus.
K730a is a continuation of ‘Entry among the Gods I, which shows a group of gods and godesses against the same background; the two subjects were evidently intended to face each other and form a kind of frieze across the double page opening with the text printed in columns below. For a similar arrangement, see the two scenes forming the subject ‘The Procession to the Hill’. The paper has the watermark Michallet
For another early proof on Michallet paper, see K730. For a later proof of the same subject on Kelmscott Press paper, see K775.
