This design shows one half of the pattern for Dove and Rose, intended for a woven double cloth. The design is formed of leaves, stems, rose sprays, acorns and doves in green and red.
At Merton Abbey, Morris & Co.’s textile workshop, Morris had installed hand-operated jacquard looms, which partly automated the weaving process. Large orders were sub-contracted to companies that used steam-powered looms. Morris welcomed technological progress that genuinely saved repetitive labour without compromising the quality of the final product. He believed that “it is the allowing of machines to be our masters and not our servants that so injures the beauty of life nowadays”.
To weave the ‘Dove and Rose’ textile, Morris’s original design was painted on point-paper. This was used to make a series of punch cards, which were fed into the loom and controlled the production of the pattern. Morris felt uneasy about subjecting his employees to the “deafening clatter” of the weaving shed, but accepted it as a necessary evil to produce fine fabrics in silk and wool.
